
Final Exit: Area is a brand new documentary on Discovery+ that explores the potential of people colonizing planets past Earth. Since it’s produced and narrated by Werner Herzog (director of Grizzly Man, visitor star on The Mandalorian) and written and directed by his son Rudolph, nonetheless, it goes in a special path than your common house documentary. It is bizarre, lovely, skeptical, and even a bit humorous.
In mild of the movie’s current streaming launch, father and son Herzog spoke with Ars Technica from their respective houses concerning the movie’s otherworldly hopes, pessimistic conclusions, and that one half about house colonists having to drink their very own urine.
“My accent is a joke”

Lena Herzog
“[As a narrator], I at all times spoke in a deadpan [voice], and naturally there is a sure humor in it as a result of listening to my accent is a joke already,” Werner says from his present dwelling in Los Angeles. His son Rudolph, phoning in from Germany, scoffs at this, to which Werner replies, “Nicely, to some!”
Werner notes that the script is his son’s, who says that “all of my movies are comedies, even when they do not appear like comedies.” Rudolph’s inclination for darkish humor is seen all through Final Exit: Area, which is basically anchored by interviews with researchers, engineers, and ex-astronauts, although the director can be desperate to function skeptics, futurologists, and voices that he admits he “politely disagrees with.”
Werner, as narrator, periodically clarifies sure factors about humankind’s curiosity in house colonization. In uncommon cases, he editorializes, corresponding to when Werner describes the efforts of SpaceX, Blue Origin, and Virgin Galactic as people “venturing out into house in a testosterone-fueled competitors.” Different instances, Werner opts for dryly humorous narration of how bleak sure house colonization efforts could end up.
“The fact of life on Mars can be sobering,” he says. “Astronauts would hunker down in radiation-proof bunkers, having fun with drinks of recycled urine.”
“I knew after I talk about [drinking] your individual urine, if I say it deadpan, it turns into hilarious,” Werner tells Ars Technica. “If I had made an enormous fuss about it with my voice, it would not have labored.” He then tells Ars that he is accustomed to an ecosystem of comedians and YouTube creators that parody his voice, acknowledging that he will get the comedy of it. “I made a movie in Antarctica as soon as, and earlier than I even began modifying, there was already a satire out—a couple of movie I hadn’t actually began but!” he says.
Although I used to be unable to search out the satirical video in query, the completed product leans into Werner’s proclivity for darkly humorous deadpan, each in narration and visible content material. This is an instance from the beautiful 2007 documentary Encounters on the Finish of the World:
Excerpt from Werner Herzog’s Encounters on the Finish of the World.